MUSICAL THEATER/PLAYS WITH MUSIC

THE ARABOOLIES OF LIBERTY STREET

Book and lyrics by Sam Swope
Music by Kim D. Sherman
(Based on the book by Sam Swope)
Premiered at Imagination Stage (2007)

General and Mrs. Pinch lead the Liberty Street kids in morning exercises and enforce a huge book of rules. Imagine their horror when the Araboolies move in! This eccentric, colorful, acrobatic, non-English speaking family brings pets, music and games of Remote Tickle and Boola Noola Ball. The Pinches declare war and summon the army! Only the children can save the fun-loving Araboolies and finally allow Liberty Street to live up to its name. Ages 4 and up.

"If only all civics lessons were as sprightly as the Araboolies."
- Celia Wren, Washington Post

See our feature at NPR "Araboolies Go from 'Liberty Street' to the Stage."

HEARTLAND a musical
Book and lyrics by Darrah Cloud
Orchestrations by Bruce Coughlin (website)
Madison Repertory Theater (2003) and Dallas Summer Musicals (2004)
Directed by Susan H. Schulman

Three sisters from Moscow, Iowa return home when their mother decides she is selling the family farm. A celebration of open space and saying goodbye.

“Heartland… dares to create realistic characters and gives them some great songs to sing – things you can't say about enough Broadway shows these days.”
Lawson Taitte, Dallas Morning News

To license, contact Penny Luedtke 212-765-9564

O PIONEERS! a musical adaptation of the novel by Willa Cather
Book and lyrics by Darrah Cloud
Premiered at Huntington Theater, Boston (1989)
Broadcast on American Playhouse (1990)
Bay Area Critics Circle Award for Musical Score (1991)
US Tour and New York City Premier (2002)

The story of Alexandra Bergson’s struggles as a pioneer farmer in an untamed Nebraska prairie.

Listen to "Land Transformation."

“In adapting the novel for the stage, Darrah Cloud has been able to preserve much of Cather’s structure–and, more important, her voice. Kim D. Sherman’s music supplies that part of the emotional experience of the novel not readily transferable to dramatic language: the sense of the prairie landscape, the inner stirrings of the land and its people, the exaltation of the power of the natural world.”
Rick Davis, Center Stage

To license, contact Dramatic Publishing

THE TWO ORPHANS a musical
Book by Theresa Rebeck, Lyrics by Theresa Rebeck and John Sheehy
Workshop Performances at New York Stage and Film (1999) Hartford Stage (1999) and New York Theater Workshop (2000)

Adapted from the 19th century French melodrama, “The Two Orphans” is the tale of two sisters, ex-slaves, one blind, one beautiful who become separated in post Civil War New Orleans and struggle against beggars, thieves, murderers and aristocrats trying to find each other again.

To license, contact Penny Luedtke 212-765-9564

A CHRISTMAS CAROL a play with music and songs
Adapted by Jonathan Moscone and Preston Lane, with sound design and additional orchestrations by Bruce Richardson
Produced by Dallas Theater Center (1999-2003)

An adaptation of the Dickens classic with song and dance.

“Credit composer and sound designer Kim D. Sherman and Bruce Richardson for the rapturous music, both original and traditional, and laced with a minor-key undertow as it veers from ominous melancholy to piercing joy.”
Tom Sime, Dallas Morning News

To license, contact Penny Luedtke 212-765-9564

JONAH’S DREAM
Book and Lyrics by William Gibson
Music and Sound by Kim D. Sherman and Scott Killian
Premiered at Connecticut Repertory Theatre (2005)

“Jonah’s Dream” uses an eccentric mix of theatrical styles from comedy, drama and Yiddish Theatre to vaudeville, musical theatre and puppetry to create a vivid dreamscape in which the Old Testament’s Book of Jonah provides captivating insights into ancient and modern concepts of atonement, forgiveness and repentance. William Gibson, one of America’s most influential and celebrated dramatists (Tony Award-winner for The Miracle Worker), has penned this fascinating and wildly theatrical new stage version of the biblical tale of Jonah and the Whale.† The score features a modern klezmer-like band.

"Yet while it grapples with matters of belief and faith, this is an offbeat comic work, with its protagonist as a sardonic standup comic, a Biblical cross between Mort Sahl and Lenny Bruce." – Hartford Courant

To license contact Penny Luedtke 212-765-9564

SONGS FROM AN UNMADE BED a unique music/theatre event
Lyrics by Mark Campbell
Music by Debra Barsha, Mark Bennett, Peter Foley, Jenny Giering, Peter Golub, Jake Heggie, Stephen Hoffman, Lance Horne, Gihieh Lee, Steve Marzullo, Brendan Milburn, Chris Miller, Greg Pliska, Duncan Sheik, Kim D. Sherman, Jeffrey Stock, and Joseph Thalken
New York Theatre Workshop (2005)
Directed by David Schweitzer

A solo work that propels a smart, resilient, wry, and ultimately romantic gay New Yorker through the heartaches and triumphs of love in the big city. Mark Campbell's lyrics on the endlessly surprising experience of urban romance have been set by an eclectic roster of today’s musical artists. Michael Winther premiered this funny, sexy, elegiac, ironic work.

Listen to "Florence."

“Is it possible for the best musical of the season to have arrived when the season is just a couple of weeks old? Songs From an Unmade Bed, at the New York Theatre Workshop -- the same theater where Rent had its initial attention-getting presentation -- is the kind of show that erases memories of far less accomplished works that we reviewers had to sit through.” – David Finkle, Theatermania

To license, contact Barbara Hogenson at 212-874-8084.

LEAVING QUEENS a musical
Book and lyrics by Kate Moira Ryan (website)

An Irish American photographer returns from war to find her father has disappeared. While searching for him, she discovers the story of her family and her true self.

"From the heart of Kate Moira Ryan...Kim D. Sherman's music and orchestrations are a nice blend of traditional and contemporary Broadway."
Anita Gates, NY TIMES

"Sherman's score provides a lovely mix of piano and strings with Gaelic fiddle...Ryan finds ways of neatly juxtaposing first-generation toil and sacrifice with second-generation progress in pursuing the American dream."
Charles McNulty, Village Voice

To license contact Penny Luedtke 212-765-9564

BECOMING MEMORIES a play with music
by Arthur Giron.
Published by Samuel French

A richly textured portrait of small town America from 1911 to the present, the play follows five families through three generations.

“Superb theatre with the simplicity and power of Thornton Wilder."
San Diego Reader.
“Every mood shift is carefully orchestrated with Kim Sherman’s music…”
The Pittsburgh Press

To license, contact Samuel French

I HATE HAMLET a play with music
By Paul Rudnick
Published by Dramatic Play Service

A young and successful television actor relocates to New York, where he is offered the opportunity to play Hamlet onstage, but there's one problem: He hates Hamlet. His dilemma deepens with the entrance of John Barrymore's ghost, who arrives intoxicated and in full costume to the apartment that once was his.

“…to recall the screwy comic style of Barrymore’s Hollywood and Broadway days the director has added to that nostalgic mood with hokey old-time background music by Kim Sherman.”
Frank Rich, New York Times

To license, contact Dramatic Play Service

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CHORAL MUSIC

THE SONGBIRD AND THE EAGLE

Libretto by Rick Davis
For Soprano, Girl Soprano, Narrator, SSSAAATTTBBB Chorus, String Orchestra, Flute, Percussion and Piano
One movement (35 minutes)
Commissioned by The San José Chamber Orchestra in conjunction with the aubrey’s END foundation.
Premiered December 8, 2006 by The San José Chamber Orchestra, under the direction of Barbara Day Turner, in collaboration with The Choral Project, under the direction of Daniel Hughes and featuring the vocal talents of Allison Charney, soprano, Jordan Charney, narrator and Katrina Swift, girl soprano.

The Songbird and the Eagle, based on a traditional Buddhist Jakata Tale, this work for explores the theme of the possibility of peace in the world being attained through the small actions of each individual.

Look at the review.

"The Songbird and the Eagle" is published by Plumber's Daughter
(contact us)


THE HAPPIEST AND UNHAPPIEST OF MEN

Words of Beethoven set to music
For SSAATTBB Chorus, String Orchestra & Flute Solo
One movement (4 minutes)
Commissioned by The Mendelssohn Club of Philadelphia
Alan Harler, Music Director
Premiered October 22, 2005

"The Happiest and Unhappiest of Men is set for eight-part chorus, strings and flute. Sherman's language is economical, and the text is presented very clearly and naturally. The piece opens with the chorus rhythmically patting their chests to create the sound of a heartbeat. The music begins simply, with each line of text given sequentially to a different voice part in chant-like phrases, creating an effect like a dialog or conversation. Each phrase is separated by modulations of a rather eclectic and distinctly Beethovenesque character. The music builds in intensity as sung phrases and spoken text overlap, until a final crescendo is reached on the enigmatic text that Beethoven wrote on his final composition, the String Quartet in F major, Op. 135: "Must it be? It must be." The piece ends as it began, with the heartbeat, now softly fading away." –program note by Michael Moore, ©2005 Mendelssohn Club of Philadelphia. All rights reserved.

"The Happiest and Unhappiest of Men" is published by Plumber's Daughter
(contact us)

SERVICE FOR THE DEAD IN BOSNIA-HERZEGOVINA
Libretto by Eric Ehn
For A Cappella Chorus
Six movements (24 minutes)
1. Opening Meditation 2. Missing Girl Found 3. Behind You 4. Names Are Remembered 5. Graveside 6. End

Service For the Dead… is an a cappella choral work written in response to the war in Bosnia-Herzegovina. “Graveside”, the fifth movement of six, is a keening, a culmination and response to what has come before, and a release which might enable life to begin again.

“Graveside” is recorded by Musica Sacra on the Catalyst CD “Of Eternal Light” (out of print) CATALYST 61822. Listen to "Graveside." (Broadband download time about 50 seconds.)

“Most striking of all is Kim D. Sherman’s Bosnia-inspired Graveside, with its Eastern European folk influences and use of drone effects from sacred music.”
Stereo Review

Service for the Dead In Bosnia-Herzegovina is published by Plumber's Daughter
(contact us)

A WINTER SOLSTICE RITUAL
For Full Chorus, Organ, Chantress and Side Drum
Two movements (7 minutes)
Part One: Seven Circles, Part Two: Spinning

Commissioned and premiered in 1995 by The Mendelssohn Club of Philadelphia, Alan Harler, conductor.

A Winter Solstice Ritual explores the pagan roots of Christmas traditions. It is a celebration of the cycles of the earth, which reflect the cycles of life.

“The piece conjures up tonal visions of the world as it awaited the coming of the Messiah. The score is chillingly evocative and sumptuously scored for chorus, and it was performed to great enthusiasm.”
Michael Caruso, Chestnut Hill Local

"A Winter Solstice Ritual" is published by Plumber's Daughter
(contact us)

GLORIOUS MORN
For Full Chorus, Alto Soloist and Piano
One movement (2.5 minutes)

Suitable for all levels, Glorious Morn is an inspiring anthem with the passion of gospel and the heart of Dickens. New for the 2005 Holiday Season!

"…rapturous music…" – Tom Sime, Dallas Morning News

"Glorious Morn" is published by Plumber's Daughter
(contact us)

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SONG CYCLES

SONG OF SONGS
A Song Cycle for Soprano, Harp and Strings
also available for Soprano and Piano
Libretto by Eric Ehn
Commissioned and premiered by the San José Chamber Orchestra, Barbara Day-Turner, conductor and Allison Charney, Soprano.
Nine movements (27 minutes)
Opening 1. Your Mouth, Wine 2. Strong as Death 3. Stealth 4. Search 5. Do Not Stir Up Love 6. The Wedding Song 7. Love’s Time and Closing

Adapted from the Old Testament, Song of Songs is a celebration of love. In English and Hebrew.

“The beauty of this piece consists of the rhapsodic nature of Sherman’s spiraling themes, the strong craft and lush scoring…”
Lesley Valdes, San Jose Mercury News

Song of Songs is published by Roger Dean
Catalogue numbers:
Full score and set of parts 30/1902R
Piano/Vocal score 30/1901R
Order via music retailer, or call Roger Dean directly 800-444-1144 ext. 1

A PRAIRIE DIARY
A Song Cycle for High Voice, Piano, and Clarinet
Eight Songs (13 minutes)
1. Prairie Dawn 2. Recipe 3. No Rain 4. Still Alive 5. Transformation 6. I Call Your Name 7. Bobby Shafto 8. Evening Song

Settings of poems by Willa Cather and Darrah Cloud, the material evokes the vast sky and land of the Midwestern Prairie, and the feeling of belonging to the dream of this country.

A Prairie Diary is published by Plumber's Daughter
(contact us)

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CHAMBER MUSIC

KARNER BLUE for flute and piano
Commissioned by the Pappoutsakis Foundation, and premiered February 2, 2003 in Boston, MA.
One movement, (7 minutes)

“karner blue” celebrates the life of the Karner Blue Butterfly. This beautiful endangered creature lives an intense short life. The music reflects the life of the creature, its beauty in nature, the joy of flight, and the delicate balance between survival and extinction.

"karner blue" is published by Falls House Press

THE VISION for guitar and english horn
(also available for guitar and flute)
Three movements (9 minutes)
1. Have No Words 2. Enemy Shadows 3. A Hawk Circling

The Vision is inspired by descriptions of a vision that came to the Native American warrior, Crazy Horse, when he was a young man. In it, he saw three significant events in his life – including his death.

The Vision is published by Plumber's Daughter
(contact us)

Recorded by Klemp Kachian Duo on their CD “Falls Flyer”
Available through http://www.cdbaby/cd/klempk

REAL WORLD for solo guitar
Commissioned and premiered by Christopher Kachian (1995)
Three Movements (9 minutes)
1. Have No Words 2. Enemy Shadows 3. A Hawk Circling

Real World is the solo guitar version of The Vision.

Real World is published by Plumber's Daughter
(contact us)

DITTIES for Saxophone Quartet
Written for and premiered by the Amherst Saxophone Quartet (2001)
A set of 7 tiny movements (3 minutes)
1. Doo 2. Wah 3. Dittie 4. Did-he? 5. Dum(b) 6. Didee 7. Dew

A humorous suite of extremely short pieces.

“ The world premiere of Kim D. Sherman's "Ditties" unveiled a set of seven snippets with the two longest of them timing in around 30 seconds, give or take a few moments while the others were ephemera to the tune of 10-15 seconds. It generated the chuckles that the composer hoped it would.”
Garaud MacTaggart, The Buffalo News

Ditties is published by Plumber's Daughter
(contact us)

THE MOON PIECE for chamber orchestra
Premiered by the St. Paul Chamber Orchestra, conducted by Wm. McGlaughlin (1981)
1 movement (27 minutes)

A tone poem on the theme of loss and remembrance.

“The work opens quietly on a sustained high pitch by violins, like the sound of a finger circling the top of a crystal glass. The effect is a sensation of tension and mystery, indicating the dramatic yet ruminative quality of the work.”
Jeanyne Bezoier Slettom, St. Paul Pioneer Press

The Moon Piece is published by Plumber's Daughter
Score and parts available for rental. (contact us)

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OPERA

HONOR SONG FOR CRAZY HORSE an opera
Libretto by Darrah Cloud
Premiered by Theaterworks, Palo Alto, California (1994)
Winner of Frederick Loewe Foundation Award (1994)

The epic story of the great Lakota warrior Crazy Horse and the last days of the free Lakota people.

“Sherman’s music inventively translates the drones, chants and drumbeats of the Lakota nation into a distinct musical language that shimmers with melodies murmuring and oscillating among adjacent notes, haunting open intervals and surprisingly varied rhythms and orchestral colors from an ensembles of six. There are spirited and beguiling dance passages…”
Steven Winn, San Francisco Chronicle

To license contact Penny Luedtke 212-765-9564

THREE VISITATIONS an opera trilogy
LONG ISLAND DREAMER, RED TIDE and LAMENTATIONS
Libretto by Paul Selig
Commissioned by New Music Theater Ensemble, St. Paul
Premiered by New Music Theater Ensemble (1996)

Characters on the cusp of self-realization unwittingly collide with elements of the fantastic–stray killers, beach ghosts, bed ghosts– and find their personal trajectories irrevocably altered.

Long Island Dreamer offers an accessible doo-wop sound (accompanied only by electric bass). “Are there any Long Island dreamers out there?” asks Amana del Ray, after a stranger of unknown intention appears at the window…In Red Tide, Lutece, a boy of 15 returns to a beach, ostensibly in search of a lifeguard who saved him from drowning a decade previously. In truth, however, he has been drawn there, like a moth to a flame, by a mystical power he cannot explain to his friend, a hopelessly earthbound clod whose name, aptly, is Worm… Like an unsanitized German Fairy tale, Lamentations is a dark psychodrama where aberrant sexuality and corrosive envy reveal the deeper scripts of ordinary lust and desire.

“A richly conceived and finely wrought music-theater trilogy”
Michael Tortorello City Pages

To license contact Penny Luedtke 212-765-9564

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